I ditched the kids and ran off to the library!
Well sort of…
Put them to nap (or rather, for 3-year-old Wee Reader, ‘quiet time’ where he plays in his room – he hasn’t napped in the past week. I’m afraid he might be giving up his nap!), and drive off to the library for a quick browse and pick up of kids’ books, as well as the game board for the summer reading programme.
And then I headed down the road to the park, where the library was holding its book sale. I picked up a nice load of books for myself, both fiction and non-fiction, two books for the kids (the kids’ selection wasn’t great), and these posters for $10. It was a pretty good day for books.
(a closer look at the titles I got for myself!)
Memory Wall – Anthony Doerr
Sometime in April I added Doerr’s All the Light we cannot see to my TBR list, thanks to Claire from Word by Word’s review. I picked up this short story collection which was on the library shelves. Looking forward to it.
Set on four continents, Anthony Doerr’s new stories are about memory, the source of meaning and coherence in our lives, the fragile thread that connects us to ourselves and to others. Every hour, says Doerr, all over the globe, an infinite number of memories disappear. Yet at the same time children, surveying territory that is entirely new to them, push back the darkness, form fresh memories, and remake the world.
In the luminous and beautiful title story, a young boy in South Africa comes to possess an old woman’s secret, a piece of the past with the power to redeem a life. In “The River Nemunas,” a teenage orphan moves from Kansas to Lithuania to live with her grandfather, and discovers a world in which myth becomes real. “Village 113,” winner of an O’Henry Prize, is about the building of the Three Gorges Dam and the seed keeper who guards the history of a village soon to be submerged. And in “Afterworld,” the radiant, cathartic final story, a woman who escaped the Holocaust is haunted by visions of her childhood friends in Germany, yet finds solace in the tender ministrations of her grandson.
Every story in Memory Wall is a reminder of the grandeur of life–of the mysterious beauty of seeds, of fossils, of sturgeon, of clouds, of radios, of leaves, of the breathtaking fortune of living in this universe. Doerr’s language, his witness, his imagination, and his humanity are unparalleled in fiction today
Shadow and Bone – Leigh Bardugo
Keep hearing good stuff about this!
The Shadow Fold, a swathe of impenetrable darkness, crawling with monsters that feast on human flesh, is slowly destroying the once-great nation of Ravka.
Alina, a pale, lonely orphan, discovers a unique power that thrusts her into the lavish world of the kingdom’s magical elite—the Grisha. Could she be the key to unravelling the dark fabric of the Shadow Fold and setting Ravka free?
The Darkling, a creature of seductive charm and terrifying power, leader of the Grisha. If Alina is to fulfill her destiny, she must discover how to unlock her gift and face up to her dangerous attraction to him.
But what of Mal, Alina’s childhood best friend? As Alina contemplates her dazzling new future, why can’t she ever quite forget him?
Glorious. Epic. Irresistible. Romance
The Property – Rutu Modan
And this one too!
The Property is a work that will inspire, fascinate, and delight readers and critics alike. Savvy and insightful, elegant and subtle, Rutu Modan’s second full-length graphic novel is a triumph of storytelling and fine lines.
After the death of her son, Regina Segal takes her granddaughter Mica to Warsaw, hoping to reclaim a family property lost during the Second World War. As they get to know modern Warsaw, Regina is forced to recall difficult things about her past, and Mica begins to wonder if maybe their reasons for coming aren’t a little different than what her grandmother led her to believe.
Modan offers up a world populated by prickly seniors, smart-alecky public servants, and stubborn women—a world whose realism is expressed alternately in the absurdity of people’s behavior and in the complex consequences of their sacrifices. Modan’s ever-present wit is articulated perfectly in her clear-line style, while a subtle, almost muted color palette complements the true-to-life nuances of her characterization. Exit Wounds made a huge splash for this signature combination of wit, style, and realism, and The Property will cement Modan’s status as one of the foremost cartoonists working today
What did you get from your library this week?