I knew I would be reading a book by a Japanese author for RIP X. I just didn’t expect it to be Haruki Murakami. He does write slightly odd books but I guess I never thought any of them really fit into the RIP mood. I can think of plenty of other Japanese writers that would easily do that like Natsuo Kirino, Keigo Higashino, Koji Suzuki.
So it was interesting to read this little volume from Murakami. The American version of it has a flap-over cover. Or whatever the professional term for that is. See the photo in the middle. Essentially the red cover flips open as does the bit at the bottom. And each page has an image on one side and text on the other. The text is alarmingly large but you’ll get used to it. I suppose that is how the publisher managed to turn what is essentially a short story into a book-length publication.
I’m not complaining though. I like the use of the images through the book. It made for a different read.
Opening the book up, top flap then bottom is a little like opening a box. A boxful of secrets, a hidden room, a library of deep dark weirdness, a prison of sorts.
Our nameless young boy goes to the library to return books and read up on Ottoman Empire taxation. And he is led to a room downstairs, a room he never knew existed. There he is told that he will be imprisoned in a room in the library and he has to memorise three books on the Ottoman Empire tax system. If not, his brains will be feasted on.
(Way to encourage kids to spend time at the library, Mr Murakami!)
Anyway, a strange little read from the master of Japanese fiction. Suitable indeed for RIP and whatever odd reading mood you are in.
What I found fascinating also is that the British version of the book has different illustrations, as this article from The Guardian shows.
The Millions examines this a bit more, and shows us the cover of the original Japanese book, and further ignites my curiosity about the British version: “Open up that edition to any page and the word “vintage” will spring to mind, from the lovely marbled endpapers to the reproduced antique plates of dogs and birds.”