This is a book with such potential.
I was immediately drawn to it by its setting – Trinidad and Tobago. And a wealthy Indo-Muslim family whose ancestors first settled there as indentured labourers.
It opens intriguingly. Father Khalid visits an old relative, discovers she is long deceased, but there is a strange young boy sitting in her house, covered with flies, scared, alone. He brings him to his home, to his family of a wife and young daughters, adopts him and gives him the name of Behrooz. But the families of Father Khalid’s siblings, who also live in the Yard, are wary and unaccepting of Behrooz.
Behrooz develops a friendship with Father Khalid’s second daughter Maya, rebellious and headstrong. This turns into something a bit more than a friendship and after a night together, Maya flees for the anonymity of London.
This dramatic story is an exploration of religion, tolerance, of keeping a family together.
When I say this book has potential, I meant that while it is set in a very different place, that is, of Trinidad and Tobago, and from the perspective of an East Indian Muslim family, the story takes place largely within this compound of The Yard. The family rarely ventures out, and as a result, the reader doesn’t either. And that is such a pity, as this is one of the few novels that are set in Trinidad and Tobago, but other than an introduction to the family’s history in the country, I felt like the story was too enclosed in the Yard.
I understand what the writer is trying to do with the book, that is, the Yard, the family, that isolation. But I think in this case, too much happens within the Yard. People arrive, people disappear. And with so many characters, a family tree would have helped sort them out better.
I feel like I am being very critical of this book. I am not a professional book reviewer. I accept these books for review on my blog but I never know if anyone reads these reviews. And I do want to be honest, especially with a story that has potential. It could have used a more experienced editor who could have guided this debut author with a more confident hand, pointed out some awkward turns of phrases, and tried to rein in some tropes and constructed a more solid character in Maya.
I received this book for review from its publisher and TLC Book Tours
Aliyyah Eniath was born in Trinidad and Tobago; her ancestors hailed from Uttar Pradesh, India. She’s a director at Safari Publications, a magazine publishing house, and founder/editor-in- chief of Belle Weddings (Caribbean) magazine.
Her debut novel The Yard (literary, romance) is published by Speaking Tiger Books in both paperback and ebook formats.
She explores the ideas of breaking free from imposed boundaries (familial or otherwise), understanding and feeling supported in who you are, overcoming self-doubt, and finally being true to yourself. Her writing looks at strict religious ideologies and their potential consequences and begs for a softer approach and innate understanding and compassion towards every human being.
She writes from the perspective of East Indians whose forefathers were brought to Trinidad from India through the British colonial indentureship scheme in 1845.