
I love it when reading challenges push me to try books I’ve not heard of before. This book was a finalist of the JCB Prize, a book prize celebrating Indian writers. Latitudes of Longing was shortlisted for the 2018 prize, which was awarded to Benyamin for Jasmine Days.
Latitudes of Longing opens on the Andaman Islands, which already for me perked my interest. It made the news a couple of years ago after an American missionary traveled there (illegally) to visit an uncontested tribe known as the Sentinelese. They are one of six native tribes that live on the islands and Survival International termed them the “most isolated tribe in the world”.
Well, at any rate, this book – or at least the first section (novella?) – takes place on the Andaman Islands. Girija Prasad is an Oxford-educated scientist and is newly married to Chanda Devi, who sees ghosts and talks to trees. His work takes him to the islands, which was a former British naval base and penal colony, then captured by the Japanese during the war, and now owned by the Indian government.
I enjoyed reading about their life on the islands, and their growing relationship. The author brings in the environment and nature into the story in a lyrical way.
Unfortunately, while the first section was well told and evocative, the rest of the book didn’t enchant me as much.
Mary is a Burmese woman who works for Chanda and Girija, and she is the main character of the second novella. Her son, whom she hasn’t seen since he was a baby, is a political prisoner in Burma. He has renamed himself Plato. The third section focuses on Thapa, who is Plato’s best friend, and was the one who located Mary in the Andaman Islands. Thapa is a smuggler in Nepal. And his travels lead us on to the final section in the book, which starts out by being set in the remote mountain village. I don’t know if it continues in this setting as I eventually gave it up.
How does a book start out well like that and then result in a book I ended up just skimming through? I’m not entirely sure. I wanted to like it and finish it, but I found myself being easily distracted and bored towards the end. Maybe this was just too ambitious a book? Could it have been improved with better editing? Maybe if it were a novella, just the first section on its own?
I became really curious about this because it’s relatively unusual for you to struggle with a book.
I found the quality of the writing superb: descriptive so that it felt like they were real observations and not just words to seem impressive to a reader. And it was worth it for this observation in the third part:
“we can’t tell a single story of which we are not the center. That is the root of all the world’s problems.”
However I got about 3/4 of the way through before I started to wane. The characters stopped being as sympathetically drawn and I wasn’t sure what the point of the fourth chapter was, although there were clearly some deep links intended. It’s not a typical DNF book, though, it’s much better than that. It’s almost like I am so used to a Western style novel tying everything together and be designed to manipulate every last drop of feeling, that when it sort of drifts off like this, I can’t follow it.
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